CPS supports The Cambridge University Herbarium videos for the Cambridge Festival 2024

Videos highlight the work of the Cambridge University Herbarium

The Cambridge University Herbarium is presenting three new videos, produced with the support of the Cambridge Philosophical Society. The short videos, released as part of the 2024 Cambridge Festival, aim to showcase the collections and activities of the Herbarium to a general audience. Featuring the beautiful and unique collections housed in the Herbarium and the Cory and Herbarium Libraries, each video was designed to answer a question: “What is a Herbarium?”, “How are herbarium specimens made?”, and “How do plants get their scientific names?”.

The Cambridge University Herbarium (CGE) is part of the Department of Plant Sciences. Founded in the 1760s through the bequest of a few thousand specimens by John Martyn, second Professor of Botany, the University Herbarium was significantly used and expended by John Stevens Henslow, fourth Professor of Botany and co-founder of the Cambridge Philosophical Society, then by successive Professors and Curators. Containing an estimated 1.1 million dried specimens of plants and fungi collected worldwide over the course of three centuries, and with considerable collections from the British Isles and the Cambridgeshire area, CGE represents an invaluable archive of plant diversity through space and time. It was extensively used by taxonomists to write the Flora Europaea and the Flora of Great Britain and Ireland, and continues to facilitate research and education in the fields of Natural Sciences and Humanities. In recognition of the outstanding scientific and historical value of its collections, CGE was awarded designated status by the Arts Council in 2022. In recent years, to improve the accessibility of the data held in its collections, CGE has started digitising its specimens and is currently exploring new approaches, combining citizen science and artificial intelligence, to transcribe the information attached to them. More information on these projects will soon be available on the Herbarium website: herbarium.plantsci.cam.ac.uk

The videos are available on the Herbarium YouTube channel: youtube.com/@CUHerb.

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Towards a Net Zero World: Developing and applying new tools to understand how materials for Li and “beyond-Li” battery technologies function

Professor Dame Clare P. Grey

  • 18:00 - 19:00 Bristol-Myers Squibb Lecture Theatre Lent Term Honorary Fellows Lecture

More powerful, longer-lasting, faster-charging batteries – made from increasingly more sustainable resources and manufacturing processes – are required for low-carbon transport and stable electricity supplies in a “net zero” world. Rechargeable batteries are the most efficient way of storing renewable electricity; they are required for electrifying transport as well as for storing electricity on both micro and larger electricity grids when intermittent renewables cannot meet electricity demands. The first rechargeable lithium-ion batteries were developed for, and were integral to, the portable electronics revolution. The development of the much bigger batteries needed for transport and grid storage comes, however, with a very different set of challenges, which include cost, safety and sustainability. New technologies are being investigated, such as those involving reactions between Li and oxygen/sulfur, using sodium and magnesium ions instead of lithium, or involving the flow of materials in an out of the electrochemical cell (in redox flow batteries). Importantly, fundamental science is key to producing non-incremental advances and to develop new strategies for energy storage and conversion.  

This talk will start by describing existing battery technologies, what some of the current and more long-term challenges are, and touch on strategies to address some of the issues.  I will then focus on my own work – together with my research group and collaborators – to develop new characterisation (NMR, MRI, and X-ray diffraction and optical) methods that allow batteries to be studied while they are operating (i.e., operando). These techniques allow transformations of the various cell components to be followed under realistic conditions without having to disassemble and take apart the cell. We can detect key side reactions involving the various battery materials, in order to determine the processes that are responsible ultimately for battery failure.  We can watch ions diffusing in, and moving in and out of, the active “electrode” materials that store the (lithium) ions and the electrons, to understand how the batteries function.  Finally, I will discuss the challenges in designing batteries that can be rapidly charged and discharged.  
 

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17

03

Acoustics of musical instruments - why is a saxophone like a violin?

Professor Jim Woodhouse

  • 18:00 - 19:00 Bristol-Myers Squibb Lecture Theatre Lent Term

Musical instruments like the clarinet and saxophone do not obviously have anything in common with a bowed violin string. This talk will explore the physics behind how these instruments work, and it will reveal some unexpectedly strong parallels between them. This is all the more surprising because all of them rely on strongly nonlinear phenomena, and nonlinear systems are notoriously tricky: significant commonalities between disparate systems are rare. For all the instruments, computer simulations will be used to give some insight into questions a musician may ask: What variables must a player control, and how? Why are some instruments “easier to play” than others?

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